I've always tried to include both in everything I do. But the more conscious we are, the more empowered we are to transcend negativity. The rumor is that you're writing a Weetzie prequel.Your books are always grounded in reality, and yet fantastical things happen. I have always wanted to honor the dark and the light, the real and the fantastic. It was a very personal book, a somewhat dark fairy tale I told myself, and I was surprised and delighted to see that it has continued to touch people of different ages and nationalities. When I read "One Hundred Years of Solitude," I was so excited to see how Gabriel García Márquez did that. I wrote Weetzie while I was at UC Berkeley, feeling nostalgia for my friends, family and life in L. Francesca Lia Block is a Los Angeles writer with a unique voice that blends lush imagery, hip fairy tales and punk poetic lyricism. The culture sends such a conflicting message, glorifying sex and yet maintaining an odd prudishness about it. The Weetzie prequel is about 65 pages long at the moment.She is best known for her "Weetzie Bat" books, which premiered in 1989 and drew critical acclaim and a rapturous fan base while helping to revolutionize young adult literature. Do you think it's harder to be a girl growing up in L. It's Weetzie in the 1970s, just after her dad leaves her mom.has just ducked into a brightly lit Opening Ceremony boutique in search of an outfit for a New York Fashion Week event that night."I like to go to other cities because I can dress up," she says, eyeing a stylish black blazer with blue and white checks.
Her novels often feature teenage girls navigating the City of Angels while struggling with self-image, friends, boys, family, death and sexuality. I don't listen while I write, but music plays a huge part in my work. I think depression creates in me an urgent need to write, but I also believe that daily stress, and even the positive "stress" of intense happiness, can compel me to express myself through the written word. As the mother of a daughter and a friend to many young women, it is something I feel strongly about and I hope to set a good example. We have to understand that some of the messages we get, messages that we are not enough, are there to keep our power in check. I've also finished a vampire book called "Pretty Dead," due out next year, and a book about a changeling called "The Waters and the Wild." I have another book called "Forest Folk: A Mythological Dating Guide," based on my experiences with Internet dating and my love of mythology and fairy tales, and I just wrote a proposal for a writing guide based on my workshops.
Block's latest book, "How to (Un)cage a Girl," published by Harper Teen, is a collection of 45 poems. My parents subscribed to a monthly poetry periodical, and as a teenager I was introduced to Denise Levertov, who was an influence. As a kid, I listened to Joni Mitchell (the female confessional school again) and Cat Stevens. Female empowerment is a recurring theme in your books. Is this something you've struggled with in your own life? Do you find it hard as a woman to integrate the disparate roles of being a mother, a writer and a sexual being? And I want to put together a punk anthology because we don't have time to start an actual punk band with our kids and writing projects and being sexual women, so it's the next best thing! Her latest book, "The Last Embrace," is set in 1949 Hollywood.