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Advance public information in the city will let people know about the festival “so they can avoid seeing a body if they want to,” she said.

“Every city today is interested in having festivals in public spaces – sculpture or performance or theatre – but in all work you see there, the naked body is like taboo.

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But men volunteer themselves.” British artist Glynis Ackermann, a long-time Swiss resident and frequent collaborator of Zollinger’s, will perform a piece called ‘Embracing Edges’, which aims to “soften the edges” of Biel’s architecture with the naked form, she told The Local.

“I think it’s very important to be able to see the naked body as a beautiful work of art, with what each one of us was born with,” she said.

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